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CALSCALE:GREGORIAN
METHOD:PUBLISH
UID:39626364-6461-4462-a566-303834623134
X-WR-CALNAME:Brücke Museum
X-WR-CALDESC:
X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034
X-WR-TIMEZONE:Europe/Berlin
BEGIN:VTIMEZONE
TZID:Europe/Berlin
TZUNTIL:20250330T010000Z
BEGIN:STANDARD
TZNAME:CET
DTSTART:20221030T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20231029T030000
RDATE:20241027T030000
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TZNAME:CEST
DTSTART:20230326T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
RDATE:20240331T020000
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BEGIN:VEVENT
UID:event_2346@dev.bruecke-museum.de
DTSTAMP:20261107T021902Z
CLASS:PUBLIC
DESCRIPTION:The Kiezsalon returns to Dahlem\, this time presenting its firs
 t concert at the Brücke-Museum\, featuring the Berlin premieres of Karelia
 n-Luxembourgish sound artist Cucina Povera\, Melbourne-born\, London-based
  musician Laila Sakini and Krakow upcoming composer Martyna Basta.\n\nCuci
 na Povera is the alias of sound artist Maria Rossi\, who is originally fro
 m Finnish Karelia. Cucina povera refers to a style of southern Italian tra
 ditional cooking evolved out of precarity and making do. Rossi’s music sha
 res that same ethos of simplicity. Her experimentations with voice and fie
 ld recordings create silky loops – heavenly repetitions and hypnotic undul
 ations\; an utterly sublime and ethereal language that is all her own. Her
  debut album Hilja was described by The Quietus as “an irresistible trip i
 nto minimalism and silence”.\n\nKrakow-based artist Martyna Basta’s diaris
 tic sound shapes a delicate atmosphere that balances lush and haunting. Or
 iginally trained as a classical guitarist\, Martyna went on to take a mult
 i-instrumental ambient approach on her sophomore album Making Eye Contact 
 With Solitude\, released on Warm Winters. On her latest album Slowly Forge
 tting\, Barely Remembering released in April of this year\, Martyna’s hall
 ucinatory compositions combine micro-tonal zither twangs\, otherworldly vo
 cals and sonic wonders.\n\nWorking with piano\, voice\, guitar\, found sou
 nd\, electronics and silence\, Laila Sakini’s music creates dynamic and te
 xtured environments that provide the listener with space to develop their 
 own responses. Laila Sakini’s 2022 album Paloma\, led The Wire to claim th
 at Laila “has not so much established a creative voice as beguiled listene
 rs by what’s left unsaid”.\n\nDoors: 18:00\nFirst concert: 19:30\nSecond c
 oncert: 20:30\nThird concert: 21:30\n\nThe Kiezsalon is a project by Digit
 al in Berlin. Curated by Michael Rosen and funded by Senate Department for
  Culture and Europa. Presented by The Wire and taz\, die tageszeitung.
DTSTART;TZID=Europe/Berlin:20230708T180000
DTEND;TZID=Europe/Berlin:20230708T220000
SEQUENCE:1
SUMMARY:Brücke Museum: Kiezsalon
TRANSP:OPAQUE
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